Metaphor

Jane Hirshfield is one of my favorite poets.  I have her book Given Sugar, Given Salt. It is a very small book but each poem is very powerful. In surveying the TED talks web site I ran across a new section of short videos in the section called TED ED. Here people are putting together videos to present a concept or short lesson. Hirshfield created a lesson on metaphors and I think it the most effective lesson on metaphors I have ever seen. I used it with my 6th graders and they loved it. You can watch it here. TED ED Simply type the word "metaphor"s in the search box. You may want to look around a bit for other topics that may interest you.

I am posting two of her poems. I would be interested to hear if you prefer one over the other, if so why. Marie, who faithfully responds to my posts suggests I encourage more people to make comments. It would certainly make the blog more interesting if we can  hear your thoughts. If you have difficulty posting just send me an email and I will place your thoughts in the comment section if you like.

This Was Once a Love Poem

by Jane Hirshfield

This was once a love poem,
before its haunches thickened, its breath grew short,
before it found itself sitting,
perplexed and a little embarrassed,
on the fender of a parked car,
while many people passed by without turning their heads.

It remembers itself dressing as if for a great engagement.
It remembers choosing these shoes,
this scarf or tie. Once, it drank beer for breakfast,
drifted its feet
in a river side by side with the feet of another.

Once it pretended shyness, then grew truly shy,
dropping its head so the hair would fall forward,
so the eyes would not be seen. It spoke with passion of history, of art.
It was lovely then, this poem.
Under its chin, no fold of skin softened.
Behind the knees, no pad of yellow fat.
What it knew in the morning it still believed at nightfall.
An unconjured confidence lifted its eyebrows, its cheeks.

The longing has not diminished.
Still it understands. It is time to consider a cat,
the cultivation of African violets or flowering cactus. Yes, it decides:
many miniature cacti, in blue and red painted pots.

When it finds itself disquieted
by the pure and unfamiliar silence of its new life,
it will touch them-one, then another-
with a single finger outstretched like a tiny flame.

"This Was Once a Love Poem" by Jane Hirshfield,
from Given Sugar, Given Salt.
© Harper Perennial, 2002.

 

The Key
by Jane Hirshfiled

Morning unlocks the lake
as a woman with many keys might
come to open a house
where others are sleeping.
Enjoying the quiet possession.
Wiping the shelves of the mountain
with a lemony rag until they catch.
It is not hers. Those who live
there will claim it with raised voices,
with the closet doors' casual banging.
But for now, a single rowboat
drifts on the silvery water.
The oars are banked, the one sound
drips from the blades and widens
toward the enormous, dark-held shore.
There, the house is dreaming:
a red barrette on a wooden dresser,
somehow important. 

"The Key" by Jane Hirshfield, 
from The Lives of the Heart.
© Harper Perennial, 1997.

After Years

Ted Kooser

Today, from a distance, I saw you
walking away, and without a sound
the glittering face of a glacier
slid into the sea. An ancient oak
fell in the Cumberlands, holding only
a handful of leaves, and an old woman
scattering corn to her chickens looked up
for an instant. At the other side
of the galaxy, a star thirty-five times
the size of our own sun exploded
and vanished, leaving a small green spot
on the astronomer's retina
as he stood on the great open dome
of my heart with no one to tell.

from Solo: A Journal of Poetry,

 I am not sure what to make of this poem. I found two totally different ideas about what the poem is about.   I find it remarkable to read how confidently each person explains what the poem means, but who but the poet can really know what was intended. That is what makes poetry so special. How one interprets a poem depends on what life experiences one brings to it and also what one needs to take from it.  Perhaps you would like to compare the two essays.

analysis one


analysis two 

The Moon

FACTS ABOUT THE MOON

           By Dorianne Laux

The moon is backing away from us
an inch and a half each year. That means
if you're like me and were born
around fifty years ago the moon
was a full six feet closer to the earth.
What's a person supposed to do?
I feel the gray cloud of consternation
travel across my face. I begin thinking
about the moon-lit past, how if you go back
far enough you can imagine the breathtaking
hugeness of the moon, prehistoric
solar eclipses when the moon covered the sun
so completely there was no corona, only
a darkness we had no word for.
And future eclipses will look like this: the moon
a small black pupil in the eye of the sun.
But these are bald facts.
What bothers me most is that someday
the moon will spiral right out of orbit
and all land-based life will die.
The moon keeps the oceans from swallowing
the shores, keeps the electromagnetic fields
in check at the polar ends of the earth.
And please don't tell me
what I already know, that it won't happen
for a long time. I don't care. I'm afraid
of what will happen to the moon.
Forget us. We don't deserve the moon.
Maybe we once did but not now
after all we've done. These nights
I harbor a secret pity for the moon, rolling
around alone in space without
her milky planet, her only child, a mother
who's lost a child, a bad child,
a greedy child or maybe a grown boy
who's murdered and raped, a mother
can't help it, she loves that boy
anyway, and in spite of herself
she misses him, and if you sit beside her
on the padded hospital bench
outside the door to his room you can't not
take her hand, listen to her while she
weeps, telling you how sweet he was,
how blue his eyes, and you know she's only
romanticizing, that she's conveniently
forgotten the bruises and booze,
the stolen car, the day he ripped
the phones from the walls, and you want
to slap her back to sanity, remind her
of the truth: he was a leech, a fuckup,
a little shit, and you almost do
until she lifts her pale puffy face, her eyes
two craters and then you can't help it
either, you know love when you see it,
you can feel its lunar strength, its brutal pull

Laux makes an important point.  Consider

how much we receive that we don't deserve.

Touch Me

Touch Me
Stanley Kunitz

Summer is late, my heart.
Words plucked out of the air
some forty years ago
when I was wild with love
and torn almost in two
scatter like leaves this night
of whistling wind and rain.
It is my heart that's late,
it is my song that's flown.
Outdoors all afternoon
under a gunmetal sky
staking my garden down,
I kneeled to the crickets trilling
underfoot as if about
to burst from their crusty shells;
and like a child again
marveled to hear so clear
and brave a music pour
from such a small machine.
What makes the engine go?
Desire, desire, desire.
The longing for the dance
stirs in the buried life.
One season only,
and it's done.
So let the battered old willow
thrash against the windowpanes
and the house timbers creak.
Darling, do you remember
the man you married? Touch me,
remind me who I am.

Elizabeth Lesser insists in her book Broken Open  that meditation is not an escape in which you visualize yourself in some beautiful setting. Instead, meditation is being fully present in the moment, being no one other than yourself wherever you are right now.  Kneeling in the dirt on a gray day, Kunitz recognizes in the crickets' song  his own  desire for love, universal and, as is demonstrated in his 100 years or living, timeless. What a powerful message.

  

"Touch Me "was the last of the poems he published in 2000. You must listen to him below.