This was on Writer's Almanac but it so aptly describes my feelings I just had to post it here too.

Plans

Stuart Dischell

She plans to be a writer one day and live in the City of Paris,
Where she will describe the sun as it rises over Buttes-Chaumont.
"Today the dawn began in small pieces, sharp wedges of light
Broke through the clouds." She plans to write better than this
And is critic enough to know "sharp wedges" sound like cheese.
She plans to live alone in a place that has a terrace
Where she will drink strong coffee at a round white table.
Her terrace will be her cafe and she will be recognized
By the blue-smocked workers of the neighborhood, the concierges,
The locals at the comptoir of the tabac down the block,
And the girl under the green cross of the apothecary shop.
She plans to love her apartment where she will keep
Just one flower in a blue vase. She already loves the word apart-
Ment, whose halves please her when she sees them breaking
The line in her journal. She plans to learn the roots
Of French and English words and will search them out
As if she were hunting skulls in the catacombs.
On her walls she'll hang a timetable of the great events
Of Western History. She will read the same twenty books
As Chaucer. Every morning she will make up stories....
She looks around her Brighton room, at the walls,
The ceiling, the round knob of the rectangular door.
She listens to the voices of the neighbor's children.
A toilet flushes, then the tamp of cigarette on steel,
The flint flash of her roommate's boyfriend's lighter.
When she leaves she plans to leave alone, and every
Article she will carry, each shoe, will be important.
Like an architect she will plan this life, as once
The fortune in a cookie told her: Picture what you wish
To become, if you wish to become that picture.

"Plans" by Stuart Dischell, from Good Hope Road. © Viking, 1993.

monet

Monet Refuses the Operation

 – Lisel Mueller

Doctor, you say that there are no halos
around the streetlights in Paris
and what I see is an aberration
caused by old age, an affliction.
I tell you it has taken me all my life
to arrive at the vision of gas lamps as angels,
to soften and blur and finally banish
the edges you regret I don’t see,
to learn that the line I called the horizon
does not exist and sky and water,
so long apart, are the same state of being.
Fifty-four years before I could see
Rouen cathedral is built
of parallel shafts of sun,
and now you want to restore
my youthful errors: fixed
notions of top and bottom,
the illusion of three-dimensional space,
wisteria separate
from the bridge it covers.
What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent.  The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and changes our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.

This poem offers encouragement and confirmation to those who are able to see the world differently.  The world owes so much to the artists and writers who give us hope with their vision and alternative take on things. I've included a some of Monet's art that Mueller describes so beautifully.